A Deep Dive into Tele Red Imagen S.A. (TyC Sports) and Their Systematic Unauthorized Reproductions of
Copyrighted Aerial Footage Created and Solely Owned by Miroslaw Wawak/One Man Wolf Pack

This article focuses specifically on TyC Sports’ continued pattern of copyright theft from May 2023 until today — a sustained business practice carried out to our direct financial and reputational disadvantage. It documents how the broadcaster repeatedly exploited our drone footage across television, YouTube, its own website and social media, even after formal warnings, mediation, and the initiation of legal proceedings.

👉 Further articles regarding this copyright dispute will go in-depth on the merits of our lawsuit filed against Tele Red Imagen S.A. in Argentina and will expose in detail the excessive, unlicensed reproductions of our works by what has become one of the most shameless serial copyright offenders in the Argentinian and global media landscape.

📆 ️They Knew Since 2021 — And Still Continued

TyC Sports was formally notified of their unlicensed use of our copyrighted drone footage through an official DMCA Takedown Notice by YouTube as early as July 2021.

Following this, the legally mandatory Argentinian mediation process was initiated — but instead of settling the matter at our licensing rate multiplied by the number of stolen seconds per unlicensed broadcast and publication (a straightforward, industry-normal calculation used in copyright enforcement), TyC Sports chose to walk away, and is now facing legal enforcement.

⚖️ They did not dispute the unauthorized use — one of the self-proclaimed “most renamed sports broadcasters of Argentina and South America” simply refused to compensate us in any way that could be considered reasonable or financially acceptable.

❌ This alone already separates TyC Sports from responsible broadcasters worldwide, who typically settle once confronted with clear, timestamped evidence.

💥️ But TyC chose a very different strategy — one that can only be described as entirely reckless.

🏆 ️The Copa America 2021: Where Their Copyright Theft Exploded

During the Copa America 2021, held in Brazil, TyC Sports went absolutely wild with the unauthorized use of our works:

🟥 Drone footage stolen and broadcast repeatedly,
🟥 Stadium sequences and cityscapes reused as if they were TyC’s own material,
🟥 Hundreds of seconds of unlicensed footage embedded into their television broadcasts and online publications,
🟥 No license. No permission. No credit. No payment.

💥️ It didn’t stop there.

Whenever Argentinian teams such as Boca Juniors (the same club that lost their entire principal YouTube channel after copyright enforcement by One Man Wolf Pack years ago) and River Plate played away in international competitions like the Copa Libertadores, TyC would routinely use One Man Wolf Pack drone footage to “beautify” their coverage — showing stadiums, cities, aerial approaches, skyline intros…

⚖️ All stolen. Monetized. Completely unlicensed. Entirely shameless.

💣 ️Three Active YouTube Strikes — TyC Sports Nearly Lost Their Entire Channel

In the same year — around August/September 2021 — TyC Sports’ copyright infringements escalated to the point that they accumulated three active copyright strikes on YouTube — a level that usually results in full channel termination, in accordance with YouTube's own Terms of Service.

👉 Faced with losing their entire YouTube presence, TyC Sports responded not with responsibility or payment for missing licensing fees — but with a set of bad-faith DMCA counter-notifications, each filed after they had already admitted (👆 see above) the unauthorized use of our works in writing.

🟥 These filings will be publicly documented separately in upcoming articles regarding this matter. They form one of the clearest examples of DMCA abuse by a major television network that we have ever seen.

👇 Below is what TyC Sports claimed to YouTube in their DMCA counter-notifications, filed under penalty of perjury — statements that stand in direct contradiction to their earlier admission email.

🚩 ️TyC Sports’ “Defense” in Their Counter-Notifications — A Greatest Hits Compilation

Across four separate DMCA counter-notifications, TyC Sports presented a rotating list of arguments that range from legally irrelevant to factually absurd. Their filings included claims such as:

🚩 1. “We only used a few seconds, it was informational.”

They repeatedly argued that the use was “some seconds,” “secondary,” “informative,” and “not commercial.”

Reality: Their broadcasts are monetized television productions and monetized YouTube uploads. Any unlicensed reproduction — 1 second or 100 seconds — is copyright infringement.

💥️ And as dishonest as TyC’s narrative is, their “only a few seconds” argument collapses instantly under scrutiny. Those “few seconds” refer only to the short excerpts they chose to upload to their own online platforms. In reality, the actual television broadcasts frequently contained far longer segments of our footage. In one of the most recent cases (late 2025) — which will be addressed in another dedicated article — we will show how shameless TyC Sports (Tele Red Imagen S.A.) operates:

👉 The online upload of the segment was edited to hide our footage behind an unrelated image, while the original TV broadcast of the same program openly displayed our copyrighted work in full.

💥️ And because TyC’s copyright-theft machinery has become increasingly sloppy, their most recent infringing YouTube upload accidentally left several frames of our copyrighted work unedited — resulting in yet another confirmed YouTube copyright strike for TyC Sports main channel (🚨 we detect and enforce ANY infringement of our copyright — even when it's less than one second of our copyrighted footage).

👉 TyC Sports' blatant exploitation of our intellectual property has now persisted, uninterrupted, for more than four (4) years.

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🚩 2. “Fair Use allows this.”

TyC Sports repeatedly invoked Fair Use as the alleged legal basis for their unlicensed reproductions.

Reality: 👉 Fair Use does not exist in Argentinian copyright law.
Argentina is governed by Ley 11.723 and the Berne Convention, which do not recognize Fair Use or anything remotely comparable. Fair Use is a U.S.-specific doctrine
— fully irrelevant to an Argentinian broadcaster.

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🚩 3. “We acted in good faith and immediately admitted the use.”

In their counter-notifications, they claim that they “immediately recognized the use,” “apologized,” and “acted in good faith.”

Reality: They admitted the unauthorized use only after receiving a YouTube copyright strike, and despite admitting it, they refused to compensate adequately (👆 see above) and continued stealing for years afterward.
🚨 Good faith ends where continuous, years-long infringement begins.

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🚩 4. “It caused no harm, and the footage is not central.”

They claimed the stolen footage is “secondary,” “incidental,” “non-harmful,” and that it “does not affect the exploitation” of the original work.

Reality: The footage was repeatedly used to beautify TyC’s commercial broadcasts, and the stolen sequences appeared in dozens of TV shows, YouTube uploads, TyC website uses and social media publications. Copyright theft on scale.

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🚩 5. “We were negotiating a fair settlement with his lawyers.”

TyC claims that “negotiations were ongoing” and that One Man Wolf Pack’s compensation request was “astonishingly disproportionate.”

Reality: The legally mandatory Argentinian mediation failed because TyC refused to pay an adequate post-licensing/settlement fee (👆 see above) after being caught on mass-scale copyright theft to our immediate financial and reputational disadvantage.

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🚩 6. “We offered to give Miroslaw Wawak our entire YouTube monetization for a period of time.”

This “proposal” was included in three of the counter-notifications.

Reality: Offering unrelated monetization instead of paying a standard licensing fee is not a settlement offer — it is a distraction tactic.
👉 Copyright law requires payment for usage, not corporate bartering.

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🚩 7. “In one case, we only posted a frame from X (Twitter).”

In another DMCA counter-notification, they argued that the image was already posted by another user (@Sudanalytics).

Reality: The source from where they lift (or re-lift) is irrelevant. If TyC reproduces a copyrighted work — frame or video — authorization/license is required.
⚖️️ This is Copyright 101.

♾️ Even After the Lawsuit: They Kept Stealing

In early 2025, after years of meticulously collecting evidence, a first lawsuit was filed against TyC Sports | Tele Red Imagen S.A. in Argentina.

🟥 You would expect a serious broadcaster — sued for years of copyright theft — to stop infringing immediately.

🤦 TyC did the opposite.

They continued copying, blurring out our company's logo, continued broadcasting, continued publishing our drone footage across TV, YouTube, and social media — as if nothing had happened. And they still do so — until today.

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💥️ This article exposes in detail how TyC kept reproducing our copyrighted works from May 2023 to April 2024, even long after they had:

🟥 been warned,
🟥 admitted use,
🟥 participated in mediation,
🟥 faced several YouTube copyright strikes, which almost caused their channel's termination, and
🟥 filed legally laughable DMCA counter-notifications (👆 see above) to save the same channel from being pulverized.

⚖️ The Evidence: A Copyright Theft Spree Unlike Anything Else in the Western World

The evidence below (collected from May 2023 until April 2024) partly documents the unbelievable scale of TyC’s unauthorized uses in that period alone. It shows fully traceable, timestamped broadcasts and publications, including TyC’s own on-screen graphics and presenters.

🔎 Key findings from this one-year period of TyC Sports' copyright theft operation:

🚩 1. At least 25 different days of infringements

Between May 1, 2023, and April 24, 2024 alone (i.e. within less than one year), TyC Sports used our footage on a minimum of 25 separate broadcast or publication days.

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🚩 2. At least 11 different original One Man Wolf Pack videos stolen

This includes stadiums and cities in Brazil, Paraguay, Uruguay, Ecuador — even brand-new videos published just days before TyC copied them — like a very well-oiled theft machinery.

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🚩 3. Our logo was visible on some reproductions

Meaning they copied the footage as-is.

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🚩 4. But mostly, they blurred, pixelated, upscaled, or covered our logo

A clear sign of intentional removal of Copyright Management Information (CMI) — not an accident, not a mistake. A pattern of conduct.

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🚩 5. Multiple of our videos used simultaneously on the same broadcast

Example: August 8, 2023, where TyC Sports aired two of our original stadium films at once.

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🚩 6. One video was stolen only 3 days after its release

Our April 7 upload — broadcast unlicensed by TyC on April 10. That is not “editorial oversight.” That is direct, active monitoring of our channel for fresh material to steal.

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🚩 7. Total unlicensed airtime and financial damage in that period alone

The precise total of TyC Sports’ unlicensed airtime, as well as the resulting financial damage in the beforementioned period (which is not part of the first lawsuit we have already filed against Tele Red Imagen S.A.), will be presented as part of our next legal action against the broadcaster. Ongoing forensic evaluation and timestamped broadcast analysis continue to expand the documented scope of TyC Sports’ longstanding unauthorized reproductions and copyright infringements.

⚖️ Exemplary Evidence: TyC Sports stealing One Man Wolf Pack's drone footage

💥️ May 1, 2023 + May 2, 2023: TyC repeatedly broadcasts ↗️our copyrighted Maracanã footage:

💥️ August 2023: TyC Sports disgracefully reproducing our copyrighted ↗️Gran Parque Central, ↗️Beira-Rio, ↗️Maracana and ↗️Morumbi footage across multiple consecutive days. On August 8, they broadcast two of our drone videos simultaneously:

💥️ September 29, 2023: TyC Sports reproducing our ↗️Arena Palmeiras from Above footage:

💥️ October 2023: Another explosion of theft — TyC used our footage of ↗️Allianz Parque (↗️Sao Paulo — partly U.S. Copyright Office-registered and therefore additionally subject to Statutory Damages under U.S. law), ↗️Maracanã (↗️Rio de Janeiro), ↗️Estadio Centenario (↗️Montevideo), spread on at least 8 different days in that month alone:

💥️ More on additional uncovered unauthorized reproductions of our works by TyC Sports will soon be exposed in subsequent articles.

🪦️ TyC Sports: A Case Study of How to Destroy Your Reputation

🇦🇷 TyC Sports stands in a league of its own. Never before have we encountered:

🟥 a major national broadcaster,
🟥 knowingly stealing for years,
🟥 removing logos and watermarks,
🟥 reproducing freshly published videos,
🟥 continuing stealing after legal mediation,
🟥 continuing after self-admitting unauthorized use,
🟥 continuing after several YouTube strikes and an almost-complete channel termination,
🟥 continuing after being sued.

💥️ This is the definition of a systematic copyright theft operation.

⚖️ ️Conclusion

🟥 TyC Sports could have settled in 2021.
🟥 They could have acted responsibly in 2022 or any time after.
🟥 They could have corrected everything after the first YouTube strikes on their channel.
🟥 They could have stopped infringing on our copyright at least after being sued by us.
🟥 They did none of that.

💥️ Instead, they built a multi-year archive of theft, documented on dozens of television broadcasts and online postings.

👉 The lawsuit continues. The evidence continues growing. Additional IP violation lawsuits against TyC Sports | Tele Red Imagen S.A. will be filed — including in the United States for Statutory Damages, similar to our upcoming legal proceedings against TNT Sports (a division of Warner Bros. Discovery) for infringements of our copyright regarding their unauthorized reproductions of our copyrighted Sao Paulo footage on their YouTube, Twitch and Facebook accounts. And this article is only the beginning.

🧑‍⚖️ ️We are sitting on an entire mountain of evidence documenting TyC Sports’ industry-scale copyright-infringing activities from 2021 until today. Their most recent DMCA Copyright Takedown on YouTube — for their infringing upload at ↗️youtube.com/watch?v=p28mL2Jhgfw — occurred less than four weeks ago.

💥️ TyC Sports wanted to play a dangerous game — and now their practices are being seen by the whole world.

🟥 Sadly, TyC Sports is far from the only shameless copyright offender in Argentina. A significant portion of the country’s media landscape appears deeply compromised.

👉 In upcoming articles, we will expose further unauthorized reproductions of our copyrighted works, e.g. by ESPN (🚨 also already sued by us earlier this year), Canal 26 (↗️ ️a Reuters client that published our U.S. Copyright Office–registered Taiwan footage inside a piece of disgusting Chinese military propaganda), TNT Sports, Televisión Pública, C5N, América TV, La Nación (LN), Crónica TV, Todo Noticias (TN), eltrece, Boca Juniors, and numerous smaller copycat outlets from the land of the Gauchos.

⚖️ Our documentation continues.

🐾 As always, we continue to keep all correspondence public for accuracy, fairness, and accountability. More updates will follow.

👉 Summary of the Article

This article exposes the multi-year pattern of copyright infringement carried out by TyC Sports (Tele Red Imagen S.A.), now documented as one of the most persistent and shameless copyright-theft operations in Latin America. Despite formal notice in 2021 and a legally required mediation process in Argentina, TyC refused to compensate adequately for their extensive unlicensed use of One Man Wolf Pack’s drone footage. Throughout Copa America 2021 and in countless televised and online broadcasts since, TyC repeatedly used copyrighted aerial footage without permission, payment, or credit for years.

The broadcaster nearly lost their entire YouTube channel after receiving multiple copyright strikes by One Man Wolf Pack for copyright violations, and later filed contradictory DMCA counter-notifications invoking U.S. Fair Use — despite being an Argentinian company where no such doctrine applies. Evidence shows TyC has continued infringing on One Man Wolf Pack's copyright for more than four years, including edited online uploads concealing footage while the televised versions displayed it openly. This article documents TyC’s long-running pattern of exploitation and ongoing bad-faith behavior.

#RealJustice #RealTruth #RealTransparency #OneManWolfPack #ContentCreators

Keywords: TyC Sports copyright infringement, Tele Red Imagen SA unauthorized use, Argentina media copyright theft, ESPN Argentina infringement, Canal 26 Reuters client, Reuters distribution abuse, Copa America 2021 drone footage theft, Buenos Aires broadcaster copyright violation, unlicensed drone footage Argentina, One Man Wolf Pack, Miroslaw Wawak, Taiwan drone footage registered USCO, U.S. Copyright Office registration, DMCA counter notification contradiction, DMCA misrepresentation 512(f), fraudulent counter notifications Argentina, YouTube copyright strike, Boca Juniors TV infringement, River Plate away game aerial footage, CopyCatTV, Fair Use impossibility Argentina, Argentinian copyright law Ley 11723, global copyright enforcement, media syndication abuse Argentina, reputational harm copyright, emotional damages copyright, statutory damages $150000, ISO forensic evidence, Verifact ISO 27037, stadium drone footage theft, Copa Libertadores footage misuse, TyC YouTube channel termination risk, unlicensed football broadcast footage, South America copyright violations, Argentinian news sourcing failure, drone footage monetization abuse, creator rights protection.

Resumen en Español

Este artículo expone el patrón de múltiples años de infracciones de copyright cometidas por TyC Sports (Tele Red Imagen S.A.), documentado ahora como una de las operaciones de robo de derechos de autor más persistentes y descaradas de América Latina. A pesar de haber sido notificados formalmente en 2021 y de un proceso de mediación legal obligatorio en Argentina, TyC se negó a compensar de manera adecuada su extenso uso no autorizado del material aéreo de One Man Wolf Pack. Durante la Copa América 2021 y en incontables transmisiones y publicaciones desde entonces, TyC utilizó repetidamente estas imágenes sin permiso, sin pago y sin crédito.

El canal estuvo cerca de perder por completo su presencia en YouTube tras múltiples strikes emitidos por One Man Wolf Pack, y posteriormente presentó contranotificaciones DMCA contradictorias invocando el “Fair Use” estadounidense — a pesar de ser una empresa argentina donde tal doctrina no existe. La evidencia demuestra que TyC ha seguido infringiendo los derechos de autor de One Man Wolf Pack por más de cuatro años, incluyendo ediciones en sus publicaciones online para ocultar el material, mientras que las transmisiones televisivas lo mostraban abiertamente. Este artículo documenta el patrón prolongado de explotación y el comportamiento de mala fe de TyC.

Palabras clave: TyC Sports infracción de copyright, Tele Red Imagen SA uso no autorizado, robo de derechos de autor en medios argentinos, ESPN Argentina infracción, Canal 26 cliente de Reuters, abuso de distribución de Reuters, robo de material aéreo Copa América 2021, violación de copyright por canal de Buenos Aires, uso no autorizado de drone en Argentina, One Man Wolf Pack, Miroslaw Wawak, Taiwan drone footage registrado en USCO, registro U.S. Copyright Office, contradicción en contranotificación DMCA, DMCA misrepresentation 512(f), contranotificaciones fraudulentas Argentina, YouTube copyright strike, infracción televisiva Boca Juniors, imágenes aéreas de River Plate en partidos internacionales, CopyCatTV, imposibilidad de Fair Use en Argentina, ley de copyright argentina Ley 11723, cumplimiento global de derechos de autor, abuso en la sindicación de medios en Argentina, daño reputacional copyright, daños emocionales copyright, statutory damages $150000, evidencia forense ISO, Verifact ISO 27037, robo de imágenes aéreas de estadios, uso indebido de filmaciones de la Copa Libertadores, riesgo de terminación del canal TyC en YouTube, uso no autorizado de imágenes de fútbol, violaciones de copyright en Sudamérica, fallos de verificación de fuentes en medios argentinos, abuso de monetización de imágenes de dron, protección de derechos de creadores.

Resumo em Português

Este artigo revela o padrão de violações de direitos autorais cometidas ao longo de vários anos pela TyC Sports (Tele Red Imagen S.A.), agora documentada como uma das operações de roubo de copyright mais persistentes e descaradas da América Latina. Apesar da notificação formal em 2021 e do processo de mediação legal obrigatório na Argentina, a TyC se recusou a compensar de forma adequada o uso extensivo e não licenciado das imagens aéreas do One Man Wolf Pack. Durante a Copa América 2021 e em inúmeras transmissões e publicações desde então, a TyC utilizou repetidamente esse conteúdo sem permissão, sem pagamento e sem crédito.

O canal quase perdeu toda a sua presença no YouTube após múltiplos strikes emitidos pelo One Man Wolf Pack e, depois disso, enviou contranotificações DMCA contraditórias, invocando “Fair Use” dos EUA — apesar de ser uma empresa argentina onde tal doutrina não existe. As evidências mostram que a TyC continua violando os direitos autorais de One Man Wolf Pack há mais de quatro anos, incluindo edições em uploads online para ocultar o material, enquanto a transmissão televisiva mostrava o conteúdo abertamente. O artigo documenta o padrão prolongado de exploração e o comportamento de má-fé da TyC.

Palavras-chave: TyC Sports violação de direitos autorais, Tele Red Imagen SA uso não autorizado, roubo de copyright na mídia argentina, ESPN Argentina violação, Canal 26 cliente da Reuters, abuso de distribuição pela Reuters, roubo de imagens aéreas da Copa América 2021, violação de direitos autorais por emissora de Buenos Aires, drone footage não licenciado na Argentina, One Man Wolf Pack, Miroslaw Wawak, Taiwan drone footage registrado no USCO, registro U.S. Copyright Office, contradição em contranotificação DMCA, DMCA misrepresentation 512(f), contranotificações fraudulentas Argentina, YouTube copyright strike, violação televisiva Boca Juniors, imagens aéreas de River Plate em jogos internacionais, CopyCatTV, impossibilidade de Fair Use na Argentina, lei argentina de direitos autorais Ley 11723, aplicação global de direitos autorais, abuso de sindicância de mídia na Argentina, dano reputacional copyright, danos emocionais copyright, statutory damages $150000, evidência forense ISO, Verifact ISO 27037, roubo de imagens aéreas de estádios, uso indevido de filmagens da Copa Libertadores, risco de exclusão do canal TyC no YouTube, uso não autorizado de imagens de futebol, violações de copyright na América do Sul, falha na verificação de fontes da mídia argentina, abuso de monetização de imagens de drone, proteção dos direitos de criadores.

Zusammenfassung auf Deutsch

Dieser Artikel legt das mehrjährige Muster systematischer Urheberrechtsverletzungen durch TyC Sports (Tele Red Imagen S.A.) offen — inzwischen dokumentiert als eine der hartnäckigsten und schamlosesten Copyright-Diebstahloperationen in ganz Lateinamerika. Trotz formeller Mitteilung im Jahr 2021 und eines gesetzlich vorgeschriebenen Mediationsverfahrens in Argentinien weigerte sich TyC, eine angemessene Lizenzentschädigung für die weitreichende, unlizenzierte Nutzung des One Man Wolf Pack-Drohnenmaterials zu zahlen. Während der Copa América 2021 und in zahllosen TV- und Online-Ausstrahlungen seitdem verwendete TyC dieses Material wiederholt ohne Erlaubnis, ohne Zahlung und ohne Nennung.

Der Sender stand kurz vor dem vollständigen Verlust seines YouTube-Kanals nach mehreren Copyright-Strikes durch One Man Wolf Pack. Anschließend reichte TyC widersprüchliche DMCA-Gegendarstellungen ein und berief sich dabei auf „Fair Use“ aus den USA — obwohl diese Doktrin im argentinischen Urheberrecht nicht existiert. Die Beweise zeigen, dass TyC seit über vier Jahren kontinuierlich gegen das Copyright von One Man Wolf Pack verstößt, einschließlich bearbeiteter Online-Uploads, die das Material verstecken, während die TV-Versionen es offen zeigten. Dieser Artikel dokumentiert TyCs langjähriges Ausbeutungsmuster und ihr fortgesetztes Handeln in bad faith.

Schlüsselwörter: TyC Sports Urheberrechtsverletzung, Tele Red Imagen SA unautorisierte Nutzung, Copyright-Diebstahl argentinische Medien, ESPN Argentina Urheberrechtsverstoß, Canal 26 Reuters-Kunde, Reuters Distributionsmissbrauch, Copa America 2021 Drohnenmaterial Diebstahl, Urheberrechtsverletzung Fernsehsender Buenos Aires, unlizenziertes Drohnenmaterial Argentinien, One Man Wolf Pack, Miroslaw Wawak, Taiwan Drohnenaufnahmen USCO-registriert, U.S. Copyright Office Registrierung, DMCA Gegenanzeige Widerspruch, DMCA misrepresentation 512(f), betrügerische DMCA-Gegendarstellungen Argentinien, YouTube Copyright Strike, Boca Juniors TV-Urheberrechtsverstoß, River Plate Auswärtsspiel Luftaufnahmen, CopyCatTV, Fair Use Unmöglichkeit Argentinien, argentinisches Urheberrechtsgesetz Ley 11723, globale Copyright-Durchsetzung, Missbrauch von Mediendistribution Argentinien, rufschädigender Schaden Copyright, emotionaler Schaden Copyright, statutory damages $150000, ISO forensische Beweise, Verifact ISO 27037, Diebstahl von Stadion-Drohnenmaterial, missbräuchliche Copa Libertadores Aufnahmen, TyC YouTube Kanal Löschungsrisiko, unlizenziertes Fußballmaterial, südamerikanische Urheberrechtsverletzungen, argentinische Mediensourcing-Fehler, Drohnenmaterial-Monetarisierungs­missbrauch, Schutz der Urheberrechte von Creators.

Résumé en français

Cet article dévoile le schéma pluriannuel de violations du droit d’auteur commises par TyC Sports (Tele Red Imagen S.A.), désormais identifié comme l’une des opérations de vol de copyright les plus persistantes et les plus éhontées d’Amérique latine. Malgré une notification formelle en 2021 et une médiation légale obligatoire en Argentine, TyC a refusé de payer une compensation adéquate pour l’utilisation non autorisée et massive des images aériennes de One Man Wolf Pack. Pendant la Copa América 2021 et dans de nombreuses émissions télévisées et publications en ligne par la suite, TyC a utilisé ce contenu sans permission, sans paiement et sans crédit.

Le diffuseur a failli perdre toute sa chaîne YouTube après plusieurs strikes envoyés par One Man Wolf Pack, puis a déposé des contre-notifications DMCA contradictoires invoquant le Fair Use américain — alors que cette doctrine n’existe pas dans la loi argentine. Les preuves montrent que TyC enfreint les droits d’auteur de One Man Wolf Pack depuis plus de quatre ans, notamment avec des versions en ligne modifiées pour dissimuler les images, tandis que les versions TV les montraient clairement. Cet article documente ce schéma d’exploitation à long terme et ce comportement constant de mauvaise foi.

Mots-clés: TyC Sports violation de droits d’auteur, Tele Red Imagen SA utilisation non autorisée, vol de copyright dans les médias argentins, ESPN Argentina violation, Canal 26 client Reuters, abus de distribution Reuters, vol d’images aériennes Copa America 2021, violation de droits d’auteur par diffuseur de Buenos Aires, drone footage non licencié Argentine, One Man Wolf Pack, Miroslaw Wawak, Taiwan drone footage enregistré USCO, enregistrement U.S. Copyright Office, contradiction dans la contre-notification DMCA, DMCA misrepresentation 512(f), contre-notifications frauduleuses Argentine, YouTube copyright strike, violation TV Boca Juniors, images aériennes River Plate matchs internationaux, CopyCatTV, impossibilité de Fair Use en Argentine, loi argentine Ley 11723, application mondiale du droit d’auteur, abus de syndication médiatique en Argentine, préjudice réputationnel copyright, dommages émotionnels copyright, statutory damages $150000, preuves forensiques ISO, Verifact ISO 27037, vol d’images aériennes de stades, mauvaise utilisation de séquences Copa Libertadores, risque de suppression de la chaîne YouTube TyC, images de football non autorisées, violations de copyright en Amérique du Sud, défaillance de sourcing médiatique argentin, abus de monétisation d’images de drone, protection des droits des créateurs.

文章摘要 (繁體中文)

本文揭露了 TyC Sports（Tele Red Imagen S.A.）多年来持续侵犯版权的行为，如今已被记录为拉丁美洲最持久、最无羞耻的版权盗用行为之一。尽管 TyC 在 2021 年已收到正式通知，并在阿根廷经历了法律强制调解程序，但他们仍拒绝为大规模、无授权使用 One Man Wolf Pack 的航拍素材支付合理费用。在 2021 年美洲杯期间以及随后的众多电视节目和在线视频中，TyC 反复在未获许可、未付费用、未署名的情况下使用这些作品。

该频道几乎因多次由 One Man Wolf Pack 发出的版权警告而失去其整个 YouTube 频道，随后又向 YouTube 提交自相矛盾的 DMCA 反通知，声称其行为属于美国“合理使用”（Fair Use）——尽管 TyC 是一家阿根廷公司，而阿根廷法律并不存在此概念。证据显示，TyC 已连续超过四年侵犯 One Man Wolf Pack 的版权，包括在网络上传的版本中故意隐藏画面，而电视播出的版本却完整展示。本文记录了 TyC 长期剥削与持续恶意行为的完整模式。

關鍵詞: TyC Sports 版权侵权, Tele Red Imagen SA 未授权使用, 阿根廷媒体版权盗用, ESPN Argentina 版权违规, Canal 26 Reuters 客户, Reuters 分发滥用, 2021 美洲杯航拍素材盗用, 布宜诺斯艾利斯电视台版权违规, 阿根廷未授权无人机航拍, One Man Wolf Pack, Miroslaw Wawak, 台湾航拍 USCO 注册, 美国版权局注册, DMCA 反通知矛盾, DMCA misrepresentation 512(f), 阿根廷欺诈性反通知, YouTube 版权警告, Boca Juniors 电视版权侵权, River Plate 客场航拍画面, CopyCatTV, 阿根廷无 Fair Use 法律, 阿根廷版权法 Ley 11723, 全球版权执行, 阿根廷媒体分发滥用, 名誉损害版权, 情感损害版权, statutory damages $150000, ISO 法证证据, Verifact ISO 27037, 体育场无人机素材盗用, 解放者杯素材滥用, TyC YouTube 频道删除风险, 未授权足球影像, 南美版权侵权, 阿根廷媒体来源失败, 无人机素材变现滥用, 创作者权益保护.

日本語での要約

本記事は、TyC Sports（Tele Red Imagen S.A.）による複数年にわたる著作権侵害のパターンを明らかにするものです。同社は、ラテンアメリカで最も持続的かつ恥知らずな著作権盗用の一例として記録されています。2021年に正式通知を受け、アルゼンチンの法的義務である調停手続きも行われたにもかかわらず、TyCは One Man Wolf Pack の無許可・無支払いでの大規模使用に対して適切な補償を拒否しました。コパ・アメリカ2021やその後の多数のTV放送およびオンライン投稿で、TyCは許可なく、支払いもクレジット記載もせずに素材を使用し続けていました。

同社は、One Man Wolf Pack による複数のYouTube著作権ストライクによりチャンネル削除寸前となり、その後、米国の「フェアユース」を根拠にした矛盾したDMCAカウンターノーティスを提出しました。しかしフェアユースはアルゼンチン法には存在しません。証拠によれば、TyCは4年以上にわたり、オンライン投稿では映像を隠しつつ、テレビ放送ではそのまま表示するなど、継続して著作権を侵害し続けてきました。本記事は、TyCの長期的な搾取行為と悪意のある行動パターンを詳細に記録しています。

キーワード: TyC Sports 著作権侵害, Tele Red Imagen SA 無断使用, アルゼンチン報道機関の著作権盗用, ESPN Argentina 著作権違反, Canal 26 Reuters クライアント, Reuters 配信乱用, コパ・アメリカ2021 ドローン映像盗用, ブエノスアイレス放送局 著作権違反, アルゼンチン無許可ドローン映像, One Man Wolf Pack, Miroslaw Wawak, 台湾ドローン映像 USCO 登録, U.S. Copyright Office 登録, DMCA カウンターノーティス矛盾, DMCA misrepresentation 512(f), アルゼンチン不正カウンターノーティス, YouTube 著作権ストライク, Boca Juniors TV 著作権侵害, River Plate アウェイ試合 空撮映像, CopyCatTV, アルゼンチンに Fair Use 不存在, アルゼンチン著作権法 Ley 11723, グローバル著作権執行, アルゼンチン報道シンジケーション乱用, 評判損害 著作権, 情緒的損害 著作権, statutory damages $150000, ISO 法科学証拠, Verifact ISO 27037, スタジアム空撮盗用, コパ・リベルタドーレス映像悪用, TyC YouTube チャンネル削除リスク, 無許可サッカー映像, 南米著作権侵害, アルゼンチン報道ソース失敗, ドローン映像の不正収益化, クリエイター権利保護.

About the Author

Miroslaw Wawak is a world-traveling filmmaker, drone pilot, and founder of One Man Wolf Pack — also internationally known from the Netflix production “Crime Scene Berlin: Nightlife Killer” (↗️IMDb), where his story was featured as a survivor and main protagonist. Having explored and documented 222 countries, his original and unqiue aerial footage has been featured in international media, Hollywood trailers, and major global events.

Beyond his creative work, Miroslaw is a passionate advocate for creator rights, transparency, and social impact — regularly supporting community projects and defending his original work against unauthorized use worldwide. He’s taken legal action against everyone from international broadcasters (e.g. ESPN, TyC Sports) and tech giants (e.g. Facebook, YouTube) to national icons (e.g. Deutsche Welle, Globo, BAND/Radio Bandeirantes) — even religious institutions — when they violated his copyright.

Through exposing countless violations of his copyright and collaborating with top intellectual property attorneys around the globe — including landmark legal battles from Europe to the Americas and as far as Bermuda — Miroslaw Wawak has acquired an unmatched expertise in defending his rights and bringing every discovered infringement to justice.

🟥 His most recent victories in ↗️precedent-setting cases against the BAND network and ↗️Carolina Britto in Brazil as well as ↗️Rafael Delgado Garcia (Spain/Andorra) proved not only the financial strength but also the strategic determination and domination behind his enforcement efforts.

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