Landmark Ruling Sets Precedent as BAND Ordered to Compensate One Man Wolf Pack for Copyright Violations

In a precedent-setting decision by the 22nd Civil Court of São Paulo, the Brazilian network Rádio e Televisão Bandeirantes (BAND) and its affiliated channels have been found liable for the unauthorized use and broadcast of original drone footage created by Miroslaw Wawak (One Man Wolf Pack). The São Paulo court granted all claims, including substantial monetary damages for both material and moral rights violations, and imposed strict penalties for any future unauthorized use.

ℹ️ This article is a direct follow-up to our original exposés detailing:
»From Taiwan to Global Newsrooms: How Our Copyrighted Drone Footage Was Illegally Syndicated by Reuters and CCTV+,
»When journalism turns into propaganda: How Reuters syndicated a Chinese military threat featuring unlicensed drone footage,
»Creators Worldwide Betrayed — YouTube’s Failure in the Face of Systematic DMCA Abuse,
»The Propaganda Has Arrived at Our Doorstep: Brazilian Network RECORD Broadcasts Chinese Military Propaganda—Depicting Taipei as a Target,
»One Man Wolf Pack Brings Down CCTV: A Historic Takedown of State Propaganda by Civilian Copyright Strikes and
»Reuters, Record and the Art of Burning Together.

BAND Falls Hard: Brazilian Broadcaster Loses Copyright Lawsuit Over Unauthorized Drone Footage

⚖️ Case Overview ⚖️

Plaintiff: Miroslaw Tadeusz Wawak (One Man Wolf Pack)
Defendants: Rádio e Televisão Bandeirantes S.A. and related entities, including their YouTube and Facebook channels
Court: 22ª Vara Cível, São Paulo, Brazil | Date: Ruling published February 24, 2025

Copyright Infringement: The court recognized that BAND and its affiliates used Wawak’s original video works—including marked and watermarked footage—across multiple platforms without authorization or payment.

Material Damages: The court awarded damages at US$90 per second of unauthorized video use, meticulously calculated from provided evidence and confirmed by blockchain-preserved records (↗️ Verifact).

Picture: Two slots, two speeds — but for BAND, no delivery could outrun accountability. © OMWP

Total infringing usage: 7,853 seconds across multiple publications plus


⛓️‍💥 Moral Damages:

🟥 In addition to material damages, an additional R$ 100,000 was awarded for non-material (moral) damages, reflecting the harm and distress suffered by the creator due to the unauthorized dissemination and public exposure of his work.

🟥 ...plus interest and legal fees.
“Condeno a requerida ao pagamento das custas processuais e dos honorários advocatícios, que fixo em 10% sobre o valor da condenação...”


⚖️ Court Orders:

🟥 Immediate cessation of any use or publication of Wawak’s works by BAND and all associated channels
🟥 Daily fines (minimum R$ 1,000/day) for non-compliance
🟥 Requirement for YouTube (Google Brasil) and Facebook to provide BAND’s monetization data for all infringing videos

“Failure to comply may trigger escalated enforcement mechanisms, including execution of judgment and asset seizure under Brazilian law.”


Legal Precedent

This decision stands as a major victory for content creators and copyright holders in Brazil, establishing that:

🟥 Online and television broadcasters are strictly liable for unauthorized use of third-party creative content.
🟥 Blockchain evidence (↗️ Verifact) is admissible and robust for proving the scope and timeline of infringements.
🟥 Enforceable per-second compensation standards now set a precedent for future copyright litigation in Brazil — and worldwide.


⚖️ Impact

This ruling not only recognizes the rights and economic value of creators in the digital age but also sends a clear message to major broadcasters:

🟥 Unauthorized use will be punished — and damages can be severe.

⚖️ Wawak’s victory further solidifies his role as a leading figure in the global fight for copyright justice, protecting the rights of independent creators against large networks that exploit their work. This case now serves as legal ammunition for creators fighting similar infringements across South America and beyond.


👉 Summary of the Article

This ruling marks a major legal victory for One Man Wolf Pack and a turning point for copyright enforcement in Brazil. BAND and its affiliates were found fully liable for broadcasting protected drone footage without permission, resulting in both substantial financial penalties and a binding legal precedent. The case reaffirms the rights of independent creators to control their work — and proves that even powerful media networks cannot act with impunity.

#RealJustice #RealTruth #RealTransparency #OneManWolfPack #ContentCreators

Keywords: BAND copyright lawsuit, One Man Wolf Pack vs BAND, unauthorized drone footage Brazil, BAND TV copyright infringement, copyright ruling São Paulo, Brazilian media lawsuit, DMCA Brazil, fair use defense rejected, BAND legal defeat, moral damages copyright Brazil, Verifact evidence, copyright judgment Brazil, São Paulo 22ª Vara Cível, BAND YouTube takedowns, BAND daily fine, copyright precedent Brazil, illegal TV broadcast Brazil, BAND Facebook video removed, BAND monetization disclosure order, YouTube copyright case Brazil


PortuguêsResumo em Português

Esta decisão representa uma grande vitória legal para o One Man Wolf Pack e um marco importante na aplicação dos direitos autorais no Brasil. A BAND e suas afiliadas foram consideradas totalmente responsáveis por exibir imagens aéreas protegidas por direitos autorais sem autorização, resultando em penalidades financeiras significativas e um precedente jurídico sólido. O caso reafirma o direito dos criadores independentes de controlar suas obras — e prova que nem mesmo grandes redes de mídia estão acima da lei.

Palavras-chave: processo por direitos autorais contra a BAND, One Man Wolf Pack vs BAND, uso não autorizado de imagens aéreas no Brasil, violação de direitos autorais pela BAND, decisão judicial São Paulo, processo contra emissora brasileira, DMCA Brasil, defesa de fair use rejeitada, derrota jurídica da BAND, danos morais direitos autorais Brasil, provas com Verifact, sentença por violação de direitos autorais Brasil, 22ª Vara Cível São Paulo, remoções de vídeos da BAND no YouTube, multa diária BAND, precedente jurídico direitos autorais Brasil, transmissão ilegal na TV brasileira, remoção de vídeo da BAND no Facebook, ordem de revelação de monetização da BAND, caso de direitos autorais YouTube Brasil


DeutschZusammenfassung auf Deutsch

Dieses Urteil stellt einen bedeutenden juristischen Sieg für One Man Wolf Pack dar und markiert einen Wendepunkt in der Durchsetzung von Urheberrechten in Brasilien. BAND und ihre Partner wurden vollständig haftbar gemacht für die unerlaubte Ausstrahlung urheberrechtlich geschützter Drohnenaufnahmen — mit erheblichen finanziellen Konsequenzen und einem bindenden juristischen Präzedenzfall. Der Fall bekräftigt das Recht unabhängiger Kreativer, ihre Werke zu schützen – und zeigt, dass selbst große Medienkonzerne nicht über dem Gesetz stehen.

Schlüsselwörter: Urheberrechtsklage gegen BAND, One Man Wolf Pack vs BAND, unerlaubte Drohnenaufnahmen in Brasilien, Urheberrechtsverletzung durch BAND TV, Gerichtsurteil São Paulo, Klage gegen brasilianischen Sender, DMCA Brasilien, Fair-Use-Verteidigung abgelehnt, rechtliche Niederlage für BAND, immaterieller Schadensersatz Urheberrecht Brasilien, Verifact-Beweise, Urheberrechtsurteil Brasilien, 22. Zivilgericht São Paulo, YouTube-Takedowns gegen BAND, tägliche Geldstrafe BAND, Präzedenzfall Urheberrecht Brasilien, illegale TV-Ausstrahlung Brasilien, Entfernung von BAND-Facebook-Videos, Anordnung zur Offenlegung der Monetarisierung BAND, YouTube-Urheberrechtsfall Brasilien


About the Author

Miroslaw Wawak is a world-traveling filmmaker, drone pilot, and founder of One Man Wolf Pack — also internationally known from the Netflix production “Crime Scene Berlin: Nightlife Killer” (↗️IMDb), where his story was featured as a survivor and main protagonist. Having explored and documented 222 countries, his original and unqiue aerial footage has been featured in international media, Hollywood trailers, and major global events.

Beyond his creative work, Miroslaw is a passionate advocate for creator rights, transparency, and social impactregularly supporting community projects and defending his original work against unauthorized use worldwide. He’s taken legal action against everyone from international broadcasters (e.g. ESPN, TyC Sports) and tech giants (e.g. Facebook, YouTube) to national icons (e.g. Deutsche Welle, Globo, BAND/Radio Bandeirantes)—even religious institutions—when they violated his copyright.

Through exposing countless violations of his copyright and collaborating with top intellectual property attorneys around the globe—including landmark legal battles from Europe to the Americas and as far as Bermuda—Miroslaw Wawak has acquired an unmatched expertise in defending his rights and bringing every discovered infringement to justice.

🟥 His most recent victory in a ↗️precedent-setting case against the BAND network in Brazil proved not only the financial strength but also the strategic determination and domination behind his enforcement efforts.


ℹ️ Note: All lawsuits and legal proceedings on Brazilian soil
including against YouTube (Google), Facebook (Meta) and major broadcasters—

are fully disclosed here: ↗️ Escavador Profile️ 🇧🇷⚖️

↑ Back to Top



Two slots, two speeds — but for BAND, no delivery could outrun accountability. © One Man Wolf Pack
Two slots, two speeds — but for BAND, no delivery could outrun accountability. © One Man Wolf Pack



為愛拍攝,卻被用於仇恨。 攝於台北,無授權使用。 | Filmed out of love, but used for hate. Shot in Taipei, used without authorization. © One Man Wolf Pack
為愛拍攝,卻被用於仇恨。 攝於台北,無授權使用。
Filmed out of love, but used for hate. Shot in Taipei, used without authorization.
© One Man Wolf Pack



This article is based on documented events, personal experiences, and publicly available sources. It is intended as a commentary on matters of public interest and copyright protection. No statement herein is intended to accuse any party of unlawful conduct beyond what is factually substantiated.


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